
So it took me ages to write this recap because I didn’t want to watch the episode again. I’d only seen it once and what I remembered wasn’t fabulous. My notes:
1. Orientalism!
2. Watson gets a girlfriend.
3. Cirque du Soleil?
I whined and whined and whined about how much I hated this stupid episode, and watched it in, like, three minute increments. In the end, the only way I could watch it was if I did something else at the same time, so don’t be surprised if you come across notes for Veronica Mars, knitting, or Mormon porn (don’t ask).
Anyway, here’s something I didn’t remember from the first time I watched it, probably because I was busy trying not to fall into a boredom coma: Watson is a whiny, passive-aggressive little man. I mean, he was Sad and Aggrieved in the first episode because he was injured and nobody seemed to remember he had a cane. But now he’s gone full-blown mother-in-law. “No, no, I can manage. I’m only carrying the weight of the world on my shoulders. It’s not like I have rheumatoid arthritis and a plastic hip or anything.”
Other things I’ve relearned:
* Everybody hated Sherlock in school (now there’s a story I’d like to see, little Sherlock Holmes in public school. Everybody would call him Sherley and he’d have his head shaved in a moment because he blurted out that the head boy was shagging somebody else’s girlfriend).
* Two grown men aren’t allowed to live together without a bunch of coy gay jokes and/or one of them getting a girlfriend. In this series, the plot contrivance is Sarah, a woman who gives John a job at the local clinic and then doesn’t seem to mind when he falls asleep during his shift and she has to pick up all his patients, when he takes her to a show and Sherlock cockblocks them the entire time, or when she’s kidnapped and nearly killed. John Watson is just that damn hot.
* Asian people don’t understand humor, know every form of martial art and origami, use ancient weapons to kill all the people who look at them funny, haggle over cheap knickknacks, and don’t smile.

You're in a box. A large box. A box of disapproval?
* Watson wears black-and-white boatneck shirts, like the world’s most passive-aggressive mime.
Anyway, the plot: one of Sherlock’s school acquaintances hires him to find out how someone broke into the bank he runs and put Chinese symbols on the wall in yellow paint. None of the doors registered a break-in, but no one notices the window is unlocked except Sherlock. I mean, it’s on the seventy billionth floor, but still. London’s brightest, taking care of all your money!
As a matter of fact, nobody in this episode except Sherlock seems to understand that people can come in through windows. “The window?” they exclaim, as if they have never heard of such a contraption. “What on earth is that?”
There’s no Inspector Lestrade in this episode, which is the bland icing atop a boring cake. Instead, we’re treated to some snarky twelve-year-old upstart called Detective Inspector Dimmick, who inexplicably says “no” to everything Sherlock wants to do, even though Sherlock’s proven right every step of the way. Twelve-year-old detective: I know it seems like Watson should be whining that he’s too old for this shit and Sherlock’s hair is more like Mel Gibson’s ‘80s mullet than anybody would admit, but this is not a Lethal Weapon movie.
(Man, I hope there aren’t word limits on comments.)
I’ve been thinking a lot about The Blind Banker lately (not sure why, exactly), and, while I completely 100% agree with you that the writing is utter crap here — you’re right to point out the bit about WINDOWS and the villain’s inability to understand sarcasm and the Orientalism and all the rest (and there are even more — I was particularly undone by the medical examiners who are apparently too incompetent to notice matching tattoos on the corpses; or the centuries-old continuously-used teapot that somehow develops a noticeable change in its patina after about a week; or … where was I?) Yes, there is a TON wrong with it, but I do think that people completely dismiss it when there is some value here.
First, the code — which, actually, I think is more of a nod to Valley of Fear than Dancing Men — although I can see where Dancing Men is in there since the numbers have been changed into ciphers. But in Valley of Fear, Holmes gets a message that’s all in numbers, but he never gets the message telling him how to decode it. He figures that it must be page and word numbers from a book, but doesn’t know the book, and manages to figure it out anyway by realizing that it must be a book that everyone has, and then working out which book it is. (It ultimately comes down to an almanac.) Now, I remember, back when I first read this, thinking, “They could never update Sherlock Holmes to present day, because there is no book that everyone has.” And then, here we are in Blind Banker, where it ends up being a book which is so common to London that even I have one (and I don’t even live there). I was actually blown away by this. I give the jerk of a writer full marks for this, because I think it’s as successful an update as Study in Pink‘s deductions from Watson’s iphone (instead of his pocketwatch). (Then again, it would’ve been a more-perfect update if Sherlock had gone down the same common-book route, rather than having to go through both victims’ book-collections.)
With Blind Banker, I also started playing a weird little game where I wonder if certain things in the episode are actual nods to original stories, or just random coincidences of bad writing. Since this was the second episode, I naturally looked for Sign of Four references — I wondered (still do) if the whole idea of involving a Chinese “tong” (with remarkable acrobatic abilities that enable murderers to enter through windows) was meant to be a (somewhat) plausible updating of the remarkable climber Tonga, from Sign of Four. (Or am I giving the writer WAY more credit than he deserves?)
Er… I’ll shut up now. I realize that Blind Banker is, by far, the weakest of the three episodes, and it totally deserves all the criticism you’ve given it (and probably a good deal more). And yet, once I lower my expectations substantially, I have to admit actually kinda liking it. A little.
Oops. Apparently I can’t edit my comment. OBVIOUSLY, you caught that the code was Valley of Fear as well as Dancing Men — I totally missed that in my first read-through of your recap here. I just thought the use of the A to Z as the common book deserved more credit. 🙂